



makin projects provide the following main consultancy option:
’How to book a tour’ day session
A focused strategic assessment of the potential of your production is the key to
a successful tour. These independent one-
These consultancies also focus on touring logistics, budgets, production values, transport, marketing, technical staffing, venue expectations and much more, giving your company a confident start in the process of getting your show on the road.
A brief selection of testimonials
’Essential training for anybody looking to book a tour, Mark's tailor-
‘I cannot recommend the makin projects tour booking consultancy days highly enough.
The quality, depth and breadth of advice and information gained in one day is priceless,
the after care service truly invaluable. We spent a day with Mark in September 2008.
Since then, our fledgling business has taken flight, and we’re now happily in our
third year as a successful tour booking agency.’ Helena Richardson www.richardsonprm.com
'The day I spent with Mark was very helpful. Full of useful, relevant and up to date information only an experienced tour booker can offer. Highly recommended.' Natalie Richardson, Trestle Theatre Company www.trestle.org.uk
'The best money we've ever spent!’ Gilbert Taylor, Unpacked Theatre Company www.unpacked.org
’Thank you for an inspiring day Mark. It was extremely useful and brilliant to get
top tips and first hand insights into warts'n all tour booking.’ Danny Schlesinger,
Circo Ridiculoso www.circoridiculoso.co.uk
‘I attended a makin projects group seminar,
and was so impressed that I followed it up with a one-
Feargus Woods Dunlop, New Old Friends Theatre Company www.newoldfriends.co.uk
‘From what I'd been told, I came to makin projects expecting great things, and I wasn't disappointed. On top of the bucketloads of professional advice rooted in years of experience, Mark matched my passion and zeal and raised it tenfold. I'm now highly enthused and can't wait to let venue managers know what our group is made of. Thanks for all the support, encouragement and belief.’ Chip Colquhorn, Snail Tales www.snailtales.org
‘Wow -
‘The one-
Katie Keeler, Theatre Bristol www.theatrebristol.net
‘Just to say thank you for your brilliant course a couple of weeks ago, its stayed
with me (which says a lot) and has given us some really useful tools and resources.’
Bec
Gee, Once -
‘Hi Mark, thank you so much for a very informative, eye opening and fun day yesterday. Thanks for your support and if you ever fancy working together in any capacity please let us know. A brilliant day!'
Dan Edwards, citizen598 www.citizen598.com
Please phone or e-
Booking a tour session – general outline
The session covers the following aspects in this order:
MORNING
General outline on what is a tour booker
Getting a production to book
Information
on production (size, scale, fees needed, number on tour, etc.)
Selling points of
the production (U.S.P.s’)
Selling to venue (including sales techniques, AIDA, production
information to send to venues, telephone techniques, other methods of communication
(e-
Time scale of tour booking from taking on a production to finalising
contracts
Scales of venues (small, middle, large)
Producing and presenting theatres and what this means to the time scale of tour booking
LUNCH
A chance to ask general questions on what we have discussed in the morning session.
AFTERNOON
Pencilling the tour (including back up letters, etc.)
Deals (royalties, guarantees, calls, % and box office splits)
Finalising the deal
with venues and supporting paperwork, booking confirmation forms and contracts with
venues
What venues expect from the company (small, middle, large scale venues)
What
company should expect from venues (small, middle, large scale venues)
General roundup
on UK tour booking
Overseas tour booking deals (fees, freighting, visas and work permits,
accommodation, flights, etc.)
‘TO DO’ list
Any other questions
After the meeting makin projects will collate a database of suitable venue contacts which are appropriate to the production, the technical outlines, fees, etc. that have been discussed during the day.
Sample paperwork (contracts, producers check list, booking forms, etc.) also supplied.